칙찬한시집의 변방시 전개양상

Developments of Hensai-poems in Emperor-compiled Anthologies of Chinese Poems

本硏究は平安初期の勅撰漢詩集である『凌雲集』(814)『文華秀麗集』(818)『&#32076;&#22269;集』(827)に&#21454;められている&#36794;塞詩の&#26908;討を通じて、弘仁·天長期に創作された&#36794;塞詩の特&#24500;とその展開&#27096;相を考察したものである。最初の勅撰集である『凌雲集』では、主に日本の東北地方、つまり陸&#22885;を詠んだ&#36794;塞詩が多く見られる。二番目の勅撰集である『文華秀麗集』の&#36794;塞詩は日本の&#36794;塞地&#24111;を詠んだものとともに、中&#22269;の&#36794;塞を詠み&#36796;んだ詩が&#22679;える。また、閨怨的な&#20869;容を取り入れた&#36794;塞詩も少なくない。そして、三番目の勅撰集『&#32076;&#22269;集』では、中&#22269;の&#36794;塞詩によく登場する<塞下曲><&#38306;山月><&#25827;衣>などの詩題をそのまま用いた詩が見え、また中&#22269;の地名や人物をも&#35501;み&#36796;むなど、中&#22269;的な性格がさらに&#24375;くなる。勅撰漢詩集での&#36794;塞詩の&#20869;容的な&#22793;化は唐風謳歌時代の日本漢詩の一&#26029;面を示しているが、その一方、&#36794;塞詩に閨怨的な要素が結合した類型は日本&#29420;特の&#36794;塞詩の世界を構築していく。

In this article, we analyze Hensai-poems included in some emperor- compiled anthologies of Chinese poems in early Heian period, namely Ryounshu (814), Bunkashureishu (818), and Keikokushu (827). Through this analysis, we explore the characteristics of Hensai-poems created during the eras of Kojin and Tencho. Most poems included in Ryounshu, the first emperor-compiled anthology out of the three mentioned above, are Hensai-poems primarily describing the Tohoku area of Japan, or Mutsu. The second one, Bunkashureishu, includes not only Hensai-poems describing Japanese remote regions but also an increasing number of Hensa-poems describing Chinese remote regions. Not a few Hensai-poems featuring grievance are also found in Bunkashureishu. Lastly, the third one, Keikokushu, includes poems that feature “Saikakyoku,” “Kansangetsu,” and “Toi,” the themes which are frequently found in Chinese Hensai-poems. Besides, some poems mention Chinese place names as well as person names. Shifts in the contents of Hensai-poems in emperor-compiled anthologies of Chinese poems indicate an aspect of Chinese poems created in Japan during the era of China-inspired poems. On the other hand, Hensai- poems featuring grievance are characteristic of Japanese Hensai-poems.