Tridimensional Telangana Folk Dance Forms: An Innovative Insight towards Sustaining Cultural Tourism

Tremendously Oscillating, Unimaginably Rejuvinating, Inspiringly Stimulating Medium is TOURISM. As rain drops inspires peacocks to dance, autumn splendors spurs buds to bloom, touring and tourism related activities reinstills, resuscitates, reforms and transforms the human beings into a holistic personality. Tourism, being such a triggering component, if intertwined with folk dance forms, will craft a neo-dimension to existing forms of tourism. When it comes to Telangana, the newly formed State of India, the copious Folk Dance forms can collectively be entwined with various forms of tourism and projected as a forum to innovatively sustain the traditional folk-culture of the said State benignly. Since the human beings in general and the tourists in particular, are always in constant search of novelty, here comes an innovative study, that correlates each and every form of folk dance with one or the other kind of tourism such as Bathukamma with Medical Tourism, Bonalu with Wellness and Health Tourism, Burrakatha with Educational Tourism, Chari Dance (Fire Dance) with Adventure Tourism, Chindu Bhagavatham with Heritage Tourism, Dandaria Dance with Religious Tourism, Dappu with Leisure Tourism, Gusadi with Sports Tourism, Banjara or Lambadi with Tribal Tourism, Mathuri with Creative Tourism, Mayuri with Recreational Tourism, Muharram Dance with Spiritual Tourism, Oggu Katha with Educational Tourism, Perini Shivathandavam with Heritage Tourism and Tholu Bommalaata with Rural Tourism. This study forecasts, elucidates and evinces how the Telangana Folk Dance Forms can cohesively be Incredible, Indefatigable, Indispensable, Inventory and Inseparable in promoting Tourism.