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KCI등재 학술저널

일본인과 ‘일본회귀’

아사노 아키라(浅野晁)의 전향과 조선의 소거

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本論の目的は日本人の「日本回&#24112;」がどこへの回&#24112;であるかを&#65380;<大東&#20124;&#25126;&#20105;>最大のイデオロ&#12540;グとして活躍した文芸評論家·詩人の&#27973;野晃を取りあげて論じたものである&#65377; まず&#65380;&#27973;野が1930年代に共産主義思想を放棄し&#65380;&#24403;時の日本でほぼ無名だった岡倉天心を&#65380;<大アジア主義の先&#35226;者>として創出していく過程を明らかにした&#65377;その際&#65380;美術&#30740;究者や日本浪蔓派の同人たちの天心評&#20385;と比較することで&#65380;&#27973;野が天心の「アジアは一つ」を&#65380;誰よりも&#21336;純な形で<大東&#20124;&#25126;&#20105;>の勝利を預言した言葉として&#35501;みかえることで&#65380;「日本回&#24112;」したことを明らかにした&#65377; その上で&#27973;野の「日本回&#24112;」が&#65380;植民地朝鮮への視座の捨象と表裏一&#20307;の&#38306;係にあることを&#65380;1942年におけるジャワでの&#20307;&#39443;や&#65380;天心と彼の師であるフェノロサの&#65380;朝鮮の文化に&#23550;する評&#20385;の差異を通じて示し&#65380;朝鮮の消去が「日本回&#24112;」の鍵になったことを指摘した&#65377; 最後に&#65380;敗&#25126;後に&#27973;野を&#26029;罪した左翼的な日本人文&#23398;者も&#65380;朝鮮をはじめ植民地の人&#12293;に&#23550;する蔑視&#35251;を引きずっている点を指摘し&#65380;韓&#22269;の&#36578;向や<親日>&#30740;究から日本人&#30740;究者が&#23398;ぶ意義を訴えた&#65377;

The aim of this paper is to discuss the intellectual and spiritual site to which the Japanese reverted when they ‘returned to Japanese Nationalism’ (Nihon Kaiki) in the context of Akira Asano, the Japanese literary critic and poet who was the founder and primary proponent of the most significant nationalist ideology during the Greater East Asia War. First, this paper describes the process of Asano abandoning his communist philosophy in the 1930s and of helping Tenshin Okakura, who was mostly unknown in Japan at that time, to become the pioneer of Pan-Asianism. By comparing this process with the views on Okakura of other art researchers and followers of the philosophy of Nihon Romanha, this paper also sheds light on how Asano achieved a ‘return to Japanese Nationalism’ by simply interpreting Okakura’s expression “Asia is one” as a prophecy of Japanese victory in the Greater East Asia War. Based on Asano’s experiences on Java island in 1942, and on the differences between Okakura and his teacher Fenollosa’s views on Korean culture, this paper shows that Asano’s ‘return to Japanese Nationalism’ constituted the abandoning of his original views on Korea under Japanese rule. Furthermore, the forced assimilation and marginalisation of Korean culture became the key to Asano’s renewed Japanese nationalism. Lastly, left-wing Japanese literary scholars, who condemned Asano after Japan lost the war, continue to look down on countries that were under Japanese rule, such as Korea. This paper challenges this perspective and offers reasons for Japanese researchers to learn more from Korean research on tenk&#333; and from those who sympathize with Japan’s perspective.

Ⅰ. 서론

Ⅱ. 어사노 아키라의 문학활동과 선행연구

Ⅲ. 아사노 아키라의 ‘오카쿠라 덴신(岡倉天心)’ 발견

Ⅳ. 아사노의 ‘일본회귀’가 지닌 의미 : 조선의 소거

Ⅴ. 결론

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