이상이 1931년 7월 일본 건축잡지 『조선과 건축』에 ｢이상한 가역반응｣라는 대표제하에 발표했던 6수의 시, ｢이상한 가역반응｣, ｢파편의 경치―｣, ｢▽의 유희―｣, ｢수염―｣, ｢BoiteuxㆍBoiteuse｣, ｢공복―｣의 전문해석을 통하여 대표제의 공통이미지인 이상한 가역반응을 표현하는 시어들을 찾아 분석하였고, 동시에 6수의 시가 독립된 개별시가 아니라 대표제 ｢이상한 가역반응｣의 계열시임을 밝혔다.
Poems “Scenes of Debris” and “Game Playing of ▽”. In the meantime, I found that in both, there were some poem lines, which could be called as ‘strange reversible reaction’, so I here retry the whole interpretation on the remaining four poems. In all six poems under the representative name of “Strange Reversible Reaction”, I found that there were the poem lines corresponding to the ‘unusual reversible’, which suggest the representative name “Strange Reversible Reaction”. As comment, I hope that the another representative “Bird’s-eye View” and “Architectural Infinite Six Faces and Angles’ Object”, published by Yi Sang in the same 1931 and the next 1932, will be totally investigated in the view of this article.
1. 서론
2. ｢이상한 가역반응｣
3. ｢파편의 경치｣와 ｢▽의 유희｣
4. ｢수염｣
5. ｢BOITEUXㆍBOITEUSE｣
6. ｢공복｣
7. 결론