기하라 고이치(木原孝一) 시에 나타난 <집단 죽음(集団死)> 연구
A Study on “Mass Deaths” Depicted in Koichi Kihara’s Poems: Focussing on the Perspective of Subaltern
- 일본어문학회
- 일본어문학
- 日本語文學 第93輯
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2021.05147 - 165 (19 pages)
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DOI : 10.21792/trijpn.2021..93.008
- 16
木原孝一は｢荒地｣同人として、また雑誌『詩学』の編集長として戦後の日本詩壇を導いてきた。本稿では木原孝一の詩に表れている民間人と一般兵士の<集団死>について考察した。木原は戦争の内的体験と外的経験を作品化することで、戦争犠牲者への鎮魂をやり遂げようとしていた。戦争遂行の主体は軍人であるから銃後の民間人、そして同じ軍人でも一般兵士は、戦争におけるサバルタンであると言える。詩｢鎮魂歌｣では、弟の個人史と時代史がパラレルに描かれていた。そして、弟をふくむ東京大空襲の民間人犠牲者の、また詩｢黙示｣では原爆犠牲者の<集団死>が詠まれていた。そして、詩｢幻影時代Ⅰ｣と詩｢遠い国 D·ディ 挺身上陸作戦決行日｣では、硫黄島の戦いにおける日本とアメリカの｢無名兵士｣の死が描かれていた。
Koichi Kihara set the pace in the post-war Japanese poetic circles as a member of Arechi and as the editor-in-chief of Shigaku. In this article, we analyse the “mass deaths” of the private citizens and general soldiers depicted in his poems. Kihara produced works based on the internal and external experiences of the war as the repose of the victims’ souls. As those who were actually involved in the war was soldiers, the general citizens and general soldiers are viewed as “subaltern.” In the poem entitled Chinkonka, he depicted the personal history of his younger brother and the history of the time in parallel. Further, his poems feature the “mass deaths” of the civilian victims of the Great Tokyo Air Raid, including his younger brother, and, in the case of Mokushi, the “mass deaths” of the atomic bomb victims. Further, he described the deaths of the “unknown soldiers” in Japan and the US during the Battle of Iwo Jima in the poem Genei Jidai I and the poem Tooi Kuni D-dei Teishin Jouriku Sakusen Kekkoubi.
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