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KCI등재 학술저널

몽골 전통문양디자인의 상징성 연구

한국 전통문양디자인과의 비교를 중심으로

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In this paper, the most representative and widely used as a common pattern of the natural patterns and religious symbolism were compared with each other among the traditional patterns of Mongolia and South Korea. Natural patterns of the sun, moon, mountains, water, fire, cloud pattern, and religious patterns of the fish among typical pattern of Eight Treasure Pattern, lotus pattern were included in the study. The natural patterns of Mongolia and South Korea has been symbolized since prehistoric times. They were important symbol system as a sign of the communication for themselves and for their communities. Especially, they were handed down to posterity in the form of seal, not just a decoration but a cultural symbol with the whole human life style. In addition, the natural patterns and religious patterns have been variously used to pottery, bronze, Buddhist ritual instruments, the palace decoration representing the authority and household goods. And they are now the most commonly used as decorative patterns through the development of the times in Mongolia and South Korea. Therefore, they are eternity, power, strength, happiness, abundance, harmony, fusion, longevity, courage, and northern original cultural form which has been used since ancient times steadily. Also they are Lucky pattern that implies the symbolism of transcendental immortality which is the core idea of northern Shamanism. Accordingly, the symbolic and cultural value of Mongolia and South Korea can be excellent materials of storytelling design when it comes to checking the homogeneity of the traditional culture and creating a cultural product of industrialization. As a result, we must find original cultural form and modernly reinterpret the spirit world, tales, legends, so that can be effective use for industrialization of cultural industry and design area.

1. 머리말

2. 몽골 전통문양디자인의 기원과 특징

3. 몽골과 한국의 자연문양과 종교적문양의 상징성 비교

4. 몽골과 한국의 전통문양을 활용한 스토리텔링디자인 산업화

5. 맺음말

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