Korean ceramics represent a unique combination of technical skill and spiritual culture of the Korean people. From the very early stages of its production, aesthetic concepts were combined with utilitarian approaches. The article examines the evolution of Korean ceramics from the bronze age to the beginning of Modern times. Special attention is paid to the Korean seladons of the Koryo period (935-1392), which became the highest achievement of Korean ceramic production. The evolution of ceramics is considered in the context of historical processes in Korea and neighboring countries. The author comes to the conclusion that Korean ceramic products reflect the soul of the people and their aesthetic needs.