In modern society, designers started feeling moral and social responsibility in the as-pect of environment as a position of suggesting something new. Rather than creating another waste to make something innovative, the concept of Upcycling which is about adding design or utilization to the existing recyclable materials to raise their value to products or art works has started settling down. Among them, there have been various researches on the use of offcut waste to be dumped. Such use of waste can be found in Jogakbo (patchwork), one of our tradi-tional boudoir crafts. This could be connected to the concept of the modern Upcycling in the aspect of giving new values to the wasted pieces of fabric through needlework. Therefore, this study suggested Stitch work as new Upcycling furniture by seeking for the common connections between Upcycling and traditional Jogakbo, and then reinterpreting them in the same viewpoint. It was an opportunity not only to rediscover ‘the esthetics of waste’ by changing the awareness of ‘behavior of dumping’, but also to reinterpret or reconsider the tradition. Based on this, it is expected to continuously have new attempts to use offcut waste for eco-friendly design in the future, and also to have opportunities to seek for new directions of Upcycling to redis-cover new values through the revaluation of valuelessness.
Ⅰ. 서론
Ⅱ. 업사이클링(Up-cycling) 개념으로 해석한 전통조각보 기법
Ⅲ. 조각보 기법을 활용한 업사이클링(Upcycling) 가구디자인 제안
Ⅳ. 결론
참고문헌