본 연구는 몽골의 제1차 불교수용 시기인 몽골(원)제국(1271년~1368년)의 불교음악을 고찰하였다. 몽골(원)제국 시대에는 몽골민족의 불교 음악문화가 시작된 시발점에 해당하며, 정치적 국면으로 인하여 티베트불교를 수용하였다. 몽골(원)제국의 불교음악은 궁정을 중심으로 불교 법회와 같은 불사(佛事) 의식에서 확인할 수 있으며, 중국 수당대(隋唐代) 이래 전하는 궁정의 가무악(歌舞樂)을 포함한다. 의식의 연행 절차로써 이전 시대에서 볼 수 없는 티베트 불교 의식과 융합된 악곡(樂曲)과 가무(歌舞)가 수반되며, 몽골민족의 음악문화와 융합된 악무가 창제되기도 하였다.
This study considered Buddhist music in Mongol(Yuan) Empire(years in 1271~ 1368) from the standpoint of historical musicology. The period of Mongol(Yuan) Empire corresponds to the first time of accepting Buddhism as for the Mongolian race and to the starting point that the Buddhist music culture was initiated. The Mongol(Yuan) Empire can be observed the Buddhist music culture centering on royal palace due to having accepted Tibetan Buddhism caused by the political phase, to having mostly possessed the characteristics of court Buddhism and aristocratic Buddhism and to having been believed in conventional shamanism by most Mongolian civilians. The Mongol(Yuan) Empire was performed the Buddhist services(佛事) ritual dubbed ‘Sitatapatra(白傘蓋),’ which is the large-scale Buddhist ceremony focusing on royal palace, was created <Sipyukcheonmamu(十六天魔舞, Buddhist devil dance by 16 person)>, which is music & dance in Buddhist praise, and was existed ‘Seolbeopdae(說法隊, a dance band for Buddhist sermon),’ which is a musical band to promote Buddhism. In other words, the acceptance of Buddhist music along with Tibetan Buddhism led to having been fused with the music style of the previous era and also to having created Buddhist music peculiar to the Mongolian race.
1. 서론
2. 불교의 전래
3. 불교음악
4. 결론
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