황재 연행록에 나타난 청나라 이미지 연구

A study on the image of the Qing Dynasty in the Hwangjae Yeonhaengrok

Based on the analysis of Hwangjae(黃梓) s Yonhaengrok(燕行錄), who visited China twice in the mid-18th century, this study observes the differences in the images of the Qing Dynasty in the three editions of Yonhaengrok(燕行錄) and analyzes the reasons for the differences with Hwangjae(黃梓) s identity consciousness. The reason why the image of the Qing Dynasty in Gap’ in Yonhaengrok(甲寅燕行錄) is relatively objective is that Hwangjae(黃梓) realized his public role as a messenger and reflected this in his narration. On the other hand, Gap’ in Yonhaeng byeolrok(甲寅燕行别錄) presents a more negative image of the Qing Dynasty than Gap’ in Yonhaengrok(甲寅燕行錄). Because it is narrated based on the consciousness of Noron Cheongryu (老論淸流)related to the Qing Dynasty.16 years after, the Gyoung‘ o Yonhaengrok(庚午燕行錄), as a supplement of the Gap’ in Yonhaeng byeolrok(甲寅燕行别錄), further consolidate the inherent negative theory of Noron Cheongryu (老論淸流) of the Qing Dynasty. Gyoung’ o Yonhaengrok(庚午燕行錄) believes that the conclusion in Gap’ in Yonhaeng byeolrok(甲寅燕行别錄) is correct, and it further proves this conclusion by enumerating corresponding situations.