This paper investigates the applicability of the universality of the chinese literary proposition through two main writers-Gwonpil and Jouyin, and their works in Gwanghaegun times. The problematic works that represented ‘Gungryu poem’ and ‘Bunsapoem’ were shaping two main writers’ resistance against age and contemporary issues. This was possible as a writer of suspense and critical eye rather than pursue worldly success and prosperity. And it proved that literature is a proven proposition that reflects the times. It can assess the significance in that it demonstrates the diachronic characteristic, and literature is not a relic of a special layer and a special times. Diachronic study of the nature of chinese literature is to be continued. And it is hoped that it is extended the chance which increase the chance that a new light on the value of chinese literature.
1. 들어가며
2. 詩禍의 史的 展開와 그 意味
3. 宮柳詩 및 題分司詩의 역사 현실적 배경
4. 권필과 조우인의 작가적, 기질적 특징
5. 맺음말
참고문헌