This thesis consider ‘a battlefield(戰場)’ Chinese poetry s types and emotions. A battlefield(戰場) Chinese poetry present the misery of a war and a grief-stricken pity for the war dead. Seongho(星湖) Iik(李瀷)은 expect the original nature s discovery, a self- reflection of a statesman and the achievement of governing a country. Jeoheon(樗軒) Iseokhyeong(李石亨) and Wolheon(月軒) Jeongsugang(丁壽崗) reveal his true heart for a large number of the war dead who fell a victim to hunting for concessions. ‘The Hang(行)’ is a type of a metrical poetry. Using this type was created poem which given a title of ‘Jeonjanghang(戰場行)’. Hogok(壺谷) Namyongik(南龍翼) showed a unique form which was against a fixed form and a rhymed scheme. He interiorize his feeling toward the misery of Ming(明) army s ignominious defeat against Ching(淸) s army. Seosandaesa(西山大師) was treated contemptuously in Joseon(朝鮮) which pursue the policy of Confucian ideas. But he joined national misfortune, and emphasize a defense and special precautions about the national misfortune through ‘Jeonjanghang(戰場行)’ poem. With the same title and a rhyming word, Samtan(三灘) Yseungso(李承召)와 Jiniljae(眞逸齋) Seonggan(成侃) s poem are marked by their individuality. In those poems, they expressed their pity for the war dead.
2. 戰場 소재 한시의 情緖와 類型