Mountain outing poems called Yusansi are the manifestations of authors reminiscence of relevant scenic spots and the scenery of the season, which are encountered during the sightseeing trip. These poems connote the essential meaning in establishing local identity and the image reconsideration of those scenic spots. The purpose of this thesis is to select the scenic spots of MT. Jiri, among outing poems that were referred to by literati-scholars of Joseon dynasty through MT. Jiri tour, and to inquire into their common sentiments and figurative expressions which are projected in the literary poems of scenic places. Sightseeing tour of literati-scholars to MT. Jiri in the Joseon dynasty is made centering in particular scenic spots. For example, people who climbed Cheonwangbong went around Ilweoldae of Cheonwangbong, a holy mother of Jeseokdang, and historic site of Nammyeong Josik of Deoksan. In case destination is Cheonghakdong, it encompasses around Ssanggyesa, Bulilsam, Shinheungdong valley, and Chilbulsa. Because of splendid scenery, scenic spots gained the fame. The focus of this thesis includes the places which are not well-known as scenic spots, by appointing historic and cultural values to the spots apart from splendid scenery. The scenic spots that appear in MT. Jiri outing poems also imply historic and cultural meaning. Inheritance of these places is classified into 4 types as follows: ① Places and recited poems are handed down and attain prominence until the present ② Natural features disappeared, and only associated writings are handed down ③ Natural features and writings of places are present until now, but their names are not noted ④ Stunning scenery is not found but attains the prominence because of a noted person. The selection of the scenic spots corresponding to each type, and the examination of the literary manifestation of outing poems in this study can expect the efficacy as follows: Even though the cases of ① and ④ are already renowned beauty spots, their identity as scenic spots can be solidified. The locations and writings of ③ have not attained the prominence of their name, even though they are present until now. In this point, opportunity to be reborn as scenic spots can be provided by establishing the local image of those places. In addition, in case of ②, the real shape does not exist but only with the scene, local image can be reproduced and furthermore, with it as momentum, the basis to be established as scenic spots can be provided.
2. 지리산 명승에 대한 認識과 傳承
3. 지리산 명승의 문학적 형상화