The frames of the linguistic-aesthetic whole of Popa’s poetry are established in the work where creative movement in the area of the nouns is taken place. In uninterupted stretching of the noun network between systematic and occasional the poet is using vocabulary meanings not to identify them with nouns but by means of them, as objective meanings, to suggest something what is more the idea than the form, more the principle than the subject of the working. The structure of the noun materials points to reference whose subject is the sign of pointless depth so the newly created contents don’t have their adequacy in those details they are formed from. Consequently the word is about exceeding of semantic givenesses with the help of the scheme of given grvenesses.