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KCI등재 학술저널

미국 스튜디오퍼니쳐 운동의 대두에 관한 연구

A Study on the Emergence of the Studio Fumiture Movement in the United States

The studio furniture movement that expanded in the United States after the Second World War was truly American creation representing highly sophisticated individualism versus industrial anonymity. The studio furniture movement can be traced back to the 1930s in terms of its influences and emergences. Based on the ideals of Arts and Crafts movements from the earlier decades, studio furniture movement emerged in the 1950s in reaction to Bauhaus inspired industrially produced furniture. Studio furniture has represented an alternative for people who wanted individual objects in their homes rather than industrially produced products. Opposed to plastics and industrial materials, artists in studio furniture mainly focused on one natural material, emphasizing its singular beauty. There were significant roles and influences of craft education along with Scandinavian influences in terms of spreading out the movement. A historical examination of furniture from the 1930s until the 1960s illustrates how this significant movement began in the mid-century.

1. 서론

2. 스튜디오퍼니쳐의 개념

3. 미술공예운동과 스튜디오퍼니쳐

4. 스칸디나비아 가구의 영향

5. 전후(戰後)의 사회적 배경

6. 스튜디오퍼니쳐 운동의 대두와 전개

7. 전후의 공예 교육의 역할

8. 결론

9. 참고문헌

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