德勒兹从事物的形式和思维方式上说，“褶皱”具有“重叠而不同”的特点，是无限的，作为一种概念外 延理论。 本研究将“褶皱”的审美概念分类整理为宇宙观、宏观和微观的概念，研究了现代陶艺作品中可以使用的 技法和表达方式。大自然创造了美丽的风景，包括宇宙观、宏观和微观物质世界。在自然界中，有各种自然 形成的现象、形状和纹理，“褶皱”的形象不管是在宇观、宏观和微观的世界中都是存在的。褶皱在自然界 中很常见，可以说是由于作用在物体上的力的方向和大小不同而形成的一种起伏。 “褶皱”这种状态的特点是偶然性和无意识性，它所形成的肌理是大自然赋予的自然美，同时让人感受到 特殊的情感。作者通过对陶瓷成型过程中“褶皱”的产生和控制进行艺术处理，丰富了陶瓷表面的肌理效 果，研究了手工的人文价值和文化内涵。此外，从美学的角度研究现代陶瓷中“褶皱”的表现，通过运用 “褶皱”形状的作品了解创作者的思想和情感，呈现陶瓷成型表现中的各种应用可能性。
Gilles Deleuze said in terms of the form and way of thinking that ‘folds’ have the characteristics of ‘overlap but different’ and are infinite, as a concept extension theory. This research classifies the aesthetic concept of ‘folds’ into cosmological, macroscopic and microscopic concepts, and studies the techniques and expressions that can be used in modern ceramic works. Nature has created beautiful landscapes, including the cosmological, macroscopic, and microscopic material worlds. In nature, there are various natural phenomena, shapes and textures. The image of ‘folds’ exists no matter in the cosmological, macroscopic and microscopic worlds. Wrinkles are very common in nature and can be said to be a kind of ups and downs caused by the direction and magnitude of the force acting on an object. The state of ‘folds’ is characterized by chance and unconsciousness, and the texture it forms is the natural beauty endowed by nature, and at the same time it makes people feel special emotions. Researchers through the artistic treatment of the production and control of ‘wrinkles’ in the ceramic molding process, enriched the texture effect of the ceramic surface, and studied the humanistic value and cultural connotation of handwork. In addition, it studies the expression of ‘folds’ in modern ceramics from an aesthetic point of view, understands the creator s thoughts and emotions through the use of works in the shape of ‘folds’, and presents various application possibilities in ceramic performance.
摘要
Abstract
Ⅰ. 绪论
Ⅱ. 本论
Ⅲ. 结论
参考文献