상하이 時代曲을 통해 본 중국 근대 유행음악의 혼종성 연구

The Study of the Hybridity of Modern Chinese Popular Music through Shanghai Shidai Songs

After the First Opium War (1840∼1842), the concession of Shanghai (tentatively 31199; within the boundary) freely transplanted Western cultures such as Britain, the United States, France and Japan, and began to flow into multinational mixed cultures. Like this, Shanghai pop songs made in 1920∼1940s have also influenced the narrative and reproduction of Chinese pop music for nearly a century. In this paper, through the Shanghai old songs, which appeared mainly in Shanghai in the 1920s and 1940s and gained great popularity in the public, also named Shanghai period songs, primarily discussed the hybridity and characteristics of them. Next is the examination of the genre of Chinese new music and the mixed pattern of singing methods born in the process of introducing Western music. The nationwide success of academic musicians through Japan, the expansion of jazz music, and patriotic songs created by left-wing musicians of Academic group developed through mutual intersection and mix between musical elements. It is a huge and complex task to reveal the full picture of the mixing of modern Chinese pop music and Shanghai period songs. This paper throufg the understanding China s complex and multi-layered historical events, social phenomena, and musical hybridity, can be meaningful in providing an important clue for a full-fledged comparative study of modern pop music between Korea and China.