상세검색
최근 검색어 전체 삭제
다국어입력
즐겨찾기0
Journal of International Culture Vol.15 No.1.jpg
KCI등재 학술저널

벨 에포크 시대의 문화와 드뷔시의 인상주의 음악

The period from about 1871 to the outbreak of the First World War in France in 1914 was a golden age called ‘Belle Époque’, which means beautiful era in French. Economically, through the Industrial Revolution, culture and art flourished centered on Paris, and democracy was developed through the establishment of democratic procedures through the civil revolution. The musical characteristics that emerged in the Belle Epoque era stemmed from cultural backgrounds. These extra-cultural influences and the spread of cultural capabilities led to the birth of new cultural trends such as impressionism, and the activities of impressionist musicians and artists contributed to making the Belle Epoque era more splendid. This study sheds light on the new trends and characteristics of the music field where the Belle Epoque can be most conscious of. And this study examines the music of Debussy, who represented Belle Epoque with impressionism, and analyzes the influence of contemporary cultural background on his music. This study is meaningful in suggesting a new hope for a beautiful period and cultural development by examining the splendid period brought about by the times and social changes in the development of international culture and emphasizing the influence that the era of peace and stability had on cultural formation. Debussy, who is indispensable in the French musical art of the Belle Epoque era, is regarded as a representative composer of impressionism, which influenced Satie and Lex Six by expressing a dreamlike feeling with impressionist characteristics, and using scales and instruments that express exotic emotions. Debussy created beautiful and musically expressive melodies without breaking with the musical conventions of his past. Furthermore, in order to express the beauty of all things in the Belle Epoque period, the feeling of light and water was expressed through sound, occupying a unique position in the generation in which the paradigm of modern music and art was changing.

Ⅰ. 서론

Ⅱ. 벨 에포크의 문화적 특징

Ⅲ. 벨 에포크의 음악적 발전

Ⅳ. 벨 에포크와 드뷔시의 인상주의

Ⅴ. 결론

로딩중