상세검색
최근 검색어 전체 삭제
다국어입력
즐겨찾기0
민주평화연구 제5권 제2호.jpg
KCI등재후보 학술저널

5·18무용의 시의적 가치에 대한 심미 정치학적 논의

This paper provides a new well-timed value by highlighting the reproduction characteristics of the dance genre by examining the form and content of the cultural and artistic medium that participated in the May 18 democratization from an aesthetic political perspective. To this end, this research explains the process that May 18 dance was developed from a simple memorial ceremony to a cultural industry and observes the discourse on the significant value of this genre at this time, which is comprehensively included in the culture and art genre. Introducing Roland Bleiker's aesthetic political thinking, the researcher emphasizes that this theory can be a theoretical alternative to pursuing aesthetics as a cultural product at the same time without losing the politics of reproducing the spirit of protest and union. Lastly, the cases of May 18 dance are re-evaluated in a way that specifically applies aesthetic political thinking while examining them. As a result, it was argued that the limitations of May 18 dance that could not fully reproduce the sacrifice and efforts of Gwangju citizens can be overcome with aesthetic politics based on nonverbality and abstraction, and through this symbolic process, a lasting relationship between suppliers and consumers can be formed. This paper is expected to expand the scope of academic research on May 18 to dance studies, calming concerns about commercialization of performance art genres, including music, art, performances, and exhibitions, at commemorative events.

Ⅰ. 서론

Ⅱ. 5·18 무용의 활용과 시의적 가치에 대한 담론

Ⅲ. 5·18 무용의 심미성과 정치성 통합 가능성

Ⅳ. 5·18 무용의 사례와 심미 정치학적 사고의 적용

Ⅴ. 결론

로딩중