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Journal of International Culture Vol.15 No.2.jpg
KCI등재 학술저널

新世纪中国京剧国际传播现状與问题的考察

Chinese Peking Opera has been promoted and disseminated globally since the beginning of the last century. In this century, with the development of China's economy and the increase of official investment, Peking Opera has reached an unprecedented level in overseas dissemination. There has been great development in the subject of dissemination, the number of frequency of dissemination, the scope and form of dissemination. However, compared with the huge investment, Peking Opera still cannot become an international drama category. It mostly appears overseas as a symbol of Chinese culture, and there are also many misunderstandings in communication. For example, the functions of communication goals are ambiguous, the form of communication for tour performances is single, the lack of cross-cultural communication talents, and the incomplete communication system. Therefore, the overseas dissemination of Chinese Peking Opera needs to clarify the dissemination goals and objectives, clarify the main functions of dissemination, improve the content to meet the needs of cross-cultural dissemination, enrich the means of dissemination in form, cultivate and excavate cross-cultural dissemination talents, establish a three-dimensional communication system for exhibition performances, opera education, and folk communication. At the same time, new communication channels such as the Internet should be effectively used, and the communication experience of India, Japan, South Korea and other countries should be used for reference, in order to achieve greater and better effects of Peking Opera overseas communication.

Ⅰ. 概述

Ⅱ. 新世纪以来中国京剧国际传播的主要成果

Ⅲ. 新世纪京剧国际传播存在的问题和误区

Ⅳ. 解决京剧国际传播问题的策略和建议

Ⅴ. 结论

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