It can be read as a work that leaves room for some kind of cultural interpretation in this movement, or mobility society. The film, which can be evaluated as a reproduction of the original novel as it is, basically begins with an epic about “Movement.” No paper has yet been published in Korea that approaches the direction of this study, which seeks to approach the film itself from the perspective of mobility and movement, conflict and boundary crossing. No original novel or film has ever been directly dealt with in Korean modern literature and Chinese film-related academia. In the main school, the main focus of the narrative is on the movie, the narrative and conflict of the film centered on Jane, and the cultural criticism of overcoming the conflict through movement. We will then analyze the narrative and conflict characteristics of the film and follow the flow of conflict, empathy and reconciliation through another narrative axis of movement. In part, in the film, the flow of narratives described in a contextual manner is intended to be presented through quotations from the original novel and direct quotes from the movie lines and narration.
Ⅱ. 영화의 서사와 갈등의 지점
Ⅲ. 이동하는 서사와 경계넘기