Even though the war was recording the most sacrifices, Chinese military is not looser but the winner in Chinese Poetry. This is not for the war ended as a victory but the war had to be victorious. In the view of this war, there is just US troops as the only invader not UN Forces, The Chinese and North Korean military had to be the prefect winner in the war between justice and injustice. The recognition and experience of poet regarding the war was controled thoroughgoingly by the Chinese Communist Party. As the recognition that the party provided was accepted beyond the reality, therefore the poetry lost both truth and humanism. This was by that the tension between the inclination of party and details of truth was inclined to the party. That also caused the criticism for Bian Zhilin and Wang Yaping. Event the self criticism for the two poets went to be political oriented by pretending to write truth. The reason that the attitude of Niu Han is distinguished in his belief for poetry out of this trend. As the slogan and conceptualization for the great subject called highbrow repercussions, the poetry saying war approached to exaggerate the experiences of soldiers. Finally the safety-zone of poetry was limited by the warrior's inclination of party and the poetics itself regressed at the level of just confirming the safety-zone. In these circumstances, the poetry of Li Ying and Wei Yang is the exception that endured the political shackles. At least the two poets's poetry shows very unique poetry drawings by delivering the atmosphere of reality Lie and exaggeration was a new trend and generality that foresaw the reform and opening in Korean War time. The generality begot the folk-song style popularization and went to accept fantasy, which was a novelty of Chinese poetry at that time.
Ⅰ. 머리말
Ⅱ. 주어진 내용, 정해진 형식
Ⅲ. 거짓과 과장
Ⅳ. 黨性을 위한 디테일의 진실
Ⅴ. 리얼리즘의 변형: 田間李瑛未央萬世全
Ⅵ. 결론