毛泽东为近现代著名的书法家,其书法因风格独特而在书坛独居风骚,后世称为“毛体”。尤以草书著称,神采独超,犹入圣域,为世人所称赞、敬仰。毛泽东草书取法广博,其渊源可直追东汉草书,而下达于同代各名家,对于中国历代草书大家及代表名作的学习而言无疑是最具代表性的典范。因其学书经历的复杂及取法的广泛性,因而对毛泽东草书风格进行分期研究,揭示其对各家草书的取舍,进而更好的阐释其草书的“继承”与“创新”,对于更好的展示其对草书发展史的贡献性具有重要的意义。
Mao Zedong was a famous calligrapher in modern times. Because of his unique style, his calligraphy lived alone in the calligraphy world. Later generations were called Mao Style.Especially known for cursive writing, the spirit of superiority, still into the holy territory, by the world praise, admiration.Mao Zedong's cursive calligraphy has a wide range of methods, and its origin can be traced directly to the Eastern Han Dynasty cursive calligraphy.Because of the complexity of the learning experience and the wide range of methods, Mao Zedong's cursive style is studied in stages to reveal his choice of cursive script and to better explain his “inheritance” and “innovation”.
Ⅰ. 结论
Ⅱ. 毛泽东草书的分期
Ⅲ. 美学意义及创作启发
Ⅳ. 结论