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몽골학 제74호.jpg
KCI등재 학술저널

史诗英雄江格尔形象语图互文研究

以碑刻、雕塑、插画、影视为例

史诗《江格尔》作为活性态口传文本,在当代社会发生了持续的演进,其实质是以图像为基础的多元文化实践策略,凸显了文化间性的互动表达。从萨满教神袛图像到现代雕塑、插画、影视,通过视觉媒介的变迁,英雄江格尔的人物形象也不断得到丰富,实现了语言与图像互证、听觉与视觉共振。当代社会中的文化交流与传播为史诗的发展奠定了坚实基础,依托于媒介条件形成了强大的传播链。《江格尔》史诗深厚的文化内涵借助人文视域的拓展和科学技术的进步趋于视觉文化传播,重构了其“继承”与“传播”为一体的文化空间。以视觉媒介作为传播路径,从而实现对史诗英雄身份的当代认同,并从中探索出关于史诗文化的时代传承与保护机制。

As an active oral text, the epic Jangar has undergone continuous evolution in contemporary society. Its essence is a multicultural practice strategy based on images, which highlights the interactive expression between cultures. From the image of Shaman God to modern sculpture, illustration, film and television, through the change of visual media, the characters of hero Jiang Geer have been enriched continuously, realizing the mutual proof of language and image, and the resonance of hearing and vision. Cultural communication and dissemination in contemporary society have laid a solid foundation for the development of epic, and formed a strong communication chain relying on humanities and scientific and technological conditions. The profound cultural connotation of Jangar epic tends to spread visual culture with the help of the expansion of humanistic horizon and the progress of science and technology, and reconstructs its cultural space of “inheritance” and “dissemination”. With visual media as the communication path, we can realize the contemporary identity of epic heroes, and explore the era inheritance and protection mechanism of epic culture.

1. 绪论

2. 图像表达与互文研究

3. 史诗英雄江格尔形象的图像表达

4. 史诗≪江格尔≫传播路径转变与视觉文化建构

5. 总结

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