南宋 시인 楊萬里의 驛站詩는 ‘공간’ 驛站이 만들어 내는 美學的 효과를 충분히 보여주고 있다. 그는 驛站이라는 공간에서 포착할 수 있는 수많은 자연적 요소를 인문적 요소와 결합하고, 시인의 심리까지도 이 공간을 통해 투영하고 있다. 또 그의 驛站詩 작품은 詩語의 운용이나 詩材 선택 면에서 自然 景物과 驛站 주변의 情景 출현이 다수를 차지하는데, 이는 ‘自然’을 중심으로 하고 ‘征行’을 창작의 근원이라 생각하는 그의 詩學 견해와 일치한다. 본 연구는 ‘驛站’으로 포괄할 수 있는 관련 시어를 詩材와 詩題로 사용하고 있는 楊萬里의 소위 驛站詩 작품을 연구 대상으로 하여 ‘떠남과 머무름’의 공간 驛站이 가지는 의미와 그로부터 파생되는 문인 심리를 고찰하였다.
The purpose of this study is to analyze Station Poetry Works(驛站詩) among poet Yan Wanli(楊萬里)’s poetry works as a research subject, and to contemplate the meaning of the ‘Space(空間)’ of Living and Staying, and the literary Psychology derived from it. According to the results of the study, Yan Wanli’s Station Poetry work has the following characteristics. First, Yan Wanli’s Station Poetry accounts for the majority of the appearance of ‘Nature(自然)’ and inside and outside the Station(驛站) in terms of the operation of poetic language or Poetry materials, which is consistent with his view that ‘Nature’ is the source of creation. Second, Yan Wanli’s Station Poetry establishes a relationship with Nature in stages and actively implements it in the creative process. Third, Yan Wanli’s Station Poetry fully shows the aesthetic effects created by the ‘Space’ Station. He combines numerous natural elements that can be captured in the space of Station Poetry with humanities, and even the poet’s psychology is projected through this space. In addition, the aesthetic effects created by Station Space are prominent in the operation of various and lively Senses in the Poem. Fourth, the poet’s psychology depicted in Yan Wanli’s Station Poetry has a heavy and dark color, reflecting relatively many emotions of anxiety, depression, and lamentation, unlike his other Official Travel Poetry works. In particular, in some Station Poetry works, the psychology of a poet ‘Solitude’ stands out, which is judged to be another poetic effect created by a special space called Station.
1. 들어가며
2. 떠남, 머무름의 공간 驛站
3. 나오며