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KCI등재 학술저널

禅宗思想与中国电影创新发展的四个维度

Zen thought is an important part of Chinese culture, and it has had a profound impact on Chinese traditional literature and art. Taking the films of the twenty years from 2000 to 2020 as an example, the article expounds the enlightenment of Zen Buddhism to the innovative development of Chinese films from four dimensions. First of all, the Zen thought of non-duality can heal the pain of the human heart. The non-duality advocated by Zen thought can dissolve the opposition between the subject and the object. On the one hand, this dissolution allows the subject to let go of his attachments and get rid of it. Dilemma in life. Zen thought that all things have Buddha-nature and all things are equal bodies. Therefore, the human heart and external objects are originally one, and there is no difference. Then disappear. Second, the anti-logical thinking of Zen Buddhism can well break the current tendency of film stylization. The application of this kind of anti-logical thinking of Zen Buddhism to film narrative is relatively new. To a certain extent, the illogicalization of Zen Buddhism The chaotic thinking can well break the stylized and suspicious narrative mode of Western Hollywood movies. Third, the thought of Zen harmony can guide Chinese films to explore the beauty of harmony in Zen aesthetics. Zen Buddhism breaks the separation between Buddha-nature and self-nature, renunciation and renunciation, and forms a free and harmonious way of life. In fact, the free and harmonious idea of Zen Buddhism can also provide some references for the contemporary Chinese films between the secular life and the transcendence of the secular. Finally, paying attention to everyday Zen thinking can inspire us to discover the quiet beauty of life in movies. The Zen philosophy, which focuses on daily life, can also provide a creative source for film art. Zen films can discover the moving and quiet beauty from daily life with plain narratives, which is worthy of our further study.

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