Proletarian film movement around 1930, was developed in Japan and Korea, was the first exercise that tried to control film culture specified passively by self-directed method. These movements was led by Youyoung Kim and Gwangje Seo in Korea and Genju Sasa and Akira Iwasaki in Japan. This paper tries to re-evaluate by replenishment from a comparison point of view of cultural history between Japan and Korea, in addition to research of proletarian film movement that are published before, It means to understand the context of the proletarian cultural movement, especially the varied behavior of Youyoung Kim who was the leader of film movement of KAPF. And it also can mean special meaning to research for Genju Sasa who was the pioneer of Prokino because he has not been studied even in Japan. This paper tries to inquire about the relationship between Jenju Sasa/Prokino and Youyoung Kim/KAPF film movement and research their theories of proletarian film movement of Genju Sasa and Youyoung Kim. It is not intended to evaluate the levels of two targets. This paper attempts to recognize the thought, the inner face, and outside influences of Sasa & Kim who stood in history.
1. 들어가며
2. 카프영화⋅프로키노의 전개과정과 김유영⋅사사겐쥬
3. 김유영과 사사겐쥬의 세계관과 예술관
4. 사사겐쥬와 김유영의 프롤레타리아 영화운동론
5. 맺으며
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