In this paper, I discuss the 'untold Na Un-kyu's myth' and Na's star image of cine-roman in colonial Chosun 1920s. For this project, I contextualize Na's authorship in the chosun film industry and analyze the process of building myth about national anarchist hero of Na Un-kyu through mass culture in 1920s. First, as Na's authorship is not polarized between genius artist and action popular movie star in the previous study, it has the spliting process of the dillema, which is the film auteur and action movie star. Second, Na's myth was building not only by film historian of right nationalism, but also by mass culture(ex. cine-roman) of colonail Chosun in 1920s. For example, in Tal-Chum(1926, Sim Hun) and Seung-bang-bi-kok(1927, Choi Dok-keon) Na's star image was developing and concretizing intertextualy, which originally sourcing in Arirang(1926, Na Un-kyu). Third, in cine-roman, Na's star image was building of the national anarchist hero, who can escape the pitful lover in the crisis of the modern. Four, in Tal-Chum and Seung-bang-bi-kok, the failure of nostalgic narcissism and the impossibility of social intergration was the cultural expression which was internalizing the failure of 3.1 independent movement and the rejection of the assimilation by Japan colonial government.
1. ‘말해지지 않은 나운규의 신화’와 영화소설
2. 영화산업 속에서 분열되는 나운규의 신화
3. ‘가상적 영화텍스트’로서 영화소설 그리고 <탈춤>과 <승방비곡>에 나타난 나운규의 스타 이미지
4. 민족적 아나키즘 영웅의 탄생, 향수적 나르시시즘의 실패 그러나 불가능한 사회적 통합
5. 한국영화사의 새로운 지층으로서 아나키즘과 ‘독서물로서 조선영화’의 발견
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