에이젠슈테인의 몽타주 개념에 대한 인식론적 고찰

Epistemological Research on Eisenstein's Montage Conception: Evolution of the Affect in Montage

Eisenstein dialecticizes a very general aspect of thought form (rational and irrational, conscious and subconscious, logical and pre-logical, reasoned and sensuous, etc) in montage process. Especially he assumed that the highest form of consciousness in the work of art has as correlate the deepest form of subconscious, affective and emotional. Eisenstein continually reminds thus that intellectual cinema has correlate 'sensory thought' or emotional intelligence, and is worthless without it. In fact cinema and thought are encountered together through such a montage process, and are realized the relationship with a whole which can be thought in a higher awareness, the relationship with a thought which can be shaped in the subconscious unfolding of images, and the sensori-motor relationship between world and man, nature and thought.