This thesis is a study of The popular tendency and periodical peculiarity of the 1970s South Korean children's movie. The movie which this thesis analyzed is <The World without Mom(Eomma-eobsneun haneul-alae)>(1977). The main characters of this movie are three young brothers. Their mother died and father is hospitalized. A spectator feels sadness, and it is related with the public mental situation. On the other hand, the thought of loyalty and filial piety(충효사상) and the mind of new village(새마을정신) are discovered by this movie. It is related with the governmental education policy and movie policy of the Yushin system(유신체제) and the Park Chung-hee'(박정희)s administration. <The World without Mom> depicted society of South Korea in the 1970s with characters, narratives, episodes, cameras, sounds and editing styles, etc. Thus, this movie can be said that it is a typical movie reflecting politics, economy, culture of South Korea in the 1970s.
1. 들어가며
2. 1970년대 아동영화 〈엄마 없는 하늘 아래〉의 영화적 경향
3. 흥행 성공 요인과 대중적 함의, 그리고 당대 한국영화의 제작 양상
4. 동시기 국가적 요구와 영화 정책, 그리고 '우수영화'로서의 아동영화
5. 나오며
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