Ha Gil-Jong's <The March of the Fools> is one of the most important korean films in '1970, inspired by cinematic language of new wave film movement of '1960 in occident. The aim of the dissertation is to examine the logic of the sensation of this film, that renounces classical representation on body and reveals the new conditions of presentation on body. In fact director Ha Gil-Jong a refused this film in his theoretical, aesthetical point of view that we discover in 'Young Sang Shi Dae', sur-determinated by the context of the historical and cultural circumstances of korean society in '1970. This study is to provide un example to overcome the separation of his individual point of view from his historical consciousness.
1. 감각의 영화 <바보들의 행진>
2. 삶을 ‘재현’하는 대신 영화 속으로 끌어오다
3. 감각의 진실, 영화의 역사의식
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