We know that 'Young Sang Shi Dae' is not only one of korean films magazines in '1970, but also one of the important 'New Wave' movements in korean film history. Inspired by New Wave film movement of '1960 in occident, it made a variety of cultural activity with its own historical significance. This New Wave had a paradoxal identification although its purpose proposes the consistency. The aim of the dissertation is to examine the divers and heterogeneous influences upon 'Young Sang Shi Dae', the nature of their unconscious pretension sur-determinated by the context of the historical and cultural circumstances of korean society in '1970. This study is to provide un example to overcome the false separation of individual from historical analysis.
1. ‘새로움’의 시도: 단절과 지속의 역사성
2. 세대론의 역설과 청년적 자의식의 모순성
3. 영화적 본질론: 〈영상시대〉의 작가정책과 낭만(주의)적 관념성
4. 〈영상시대〉의 아나크로니즘 혹은 생산적 아나크로니즘의 부재
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