The purpose of this study is to analyze how the horror films resist the official memories of Korean society. Chosen two films, <A Tale of Two Sisters> & <The Uninvited> as family narratives, show that the family, called over by the Project of Korean Modernization and the memories repressed by patriarchy are related with the present fear. A memory is a mental act that a subject connects his past to present. If an anxiety arose from this process, it should mean that he encounters something difficult. From this point of view, the self-giving mothering, a foundation of sweet home ideology, failed in <A Tale of Two Sisters> and the strong man lost himself in the trace of Oedipus in <The Uninvited>. The Korean society is now faced with the problem that goes to socio-economical extremes in the waves of globalization. Though the official memories have recently absorbed the crisis of the nearly deconstruction there is no reasonable alternative until now. A family is no exception to this rule. Therefore. it seems natural that the anxiety, made at home, turns into the fear, a form of fantasy in recent Korean horror films.
1. 서론
2. 본론
3. 결론: 공포로의 도피와 성찰
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