重庆地区非遗舞蹈秀山花灯的当代舞台创作分析

Analysis of Contemporary Stage Creation of Xiushan Lantern, an Intangible Dance in Chongqing

秀山花灯，又名“跳花灯”、“耍花灯”、“花灯戏”等，是集“歌、舞、戏”于一体的综合性民间表演艺术。通过对秀山地区人文信仰与生活习惯等方面的整理，深度探寻“秀山花灯”的艺术特色，同时对以“秀山花灯”为素材进行创编当代舞台艺术作品同传统“秀山花灯”表现形式的相互关系进行对比分析，探索二十一世纪以来秀山花灯舞台艺术舞蹈的创作特征，并借助现状的分析，重新审视秀山花灯舞蹈创作的当代困境，分析当代文化审美视野下舞台的创作路径。

Xiushan Lantern Festival, also known as “jumping lantern festival”, “playing lantern festival” and “lantern festival”, is a comprehensive folk performance art integrating “singing, dancing and drama”. By sorting out the humanistic beliefs and living habits in Xiushan area, this paper deeply explores the artistic characteristics of Xiushan Lantern, and at the same time, makes a comparative analysis of the relationship between contemporary stage art works based on Xiushan Lantern and traditional manifestations of Xiushan Lantern, explores the creative characteristics of Xiushan Lantern stage art dance since the 21st century, and with the help of the analysis of the current situation, re-examines the contemporary predicament of Xiushan Lantern dance creation, and analyzes the creative path of the stage from the perspective of contemporary cultural aesthetics.