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Journal of Global and Area Studies Review (GAS) Vol.1, No.1.jpg
학술저널

On the performance techniques and emotional expression of the flute music “Prokofyev's flute sonata in D major”

【背景】谢尔盖·希尔盖耶维奇·普罗科菲耶夫一生创作了大量的音乐作品,他的音乐创作生涯分为三个时期:俄国时期、国外时期、苏维埃时期,每个时期的作品风格都有所不同。【目的】本文以普罗科菲耶夫为长笛而作的唯一一首奏鸣曲《D 大调长笛奏鸣曲》作为研究对象,旨在从旋律、曲式和演奏注意事项等方面分析作品片段。【方法】第一部分以乐谱为案例分析《D 大调长笛奏鸣曲》的创作背景;第二部分分析作品《D 大调长笛奏鸣曲》的结构,并举例探讨演奏细节技巧;第三部分结合作曲家的创作背景和个人艺术风格,在《D 大调长笛奏鸣曲》中追寻贯穿始终的情感表达。【结果】通过《D 大调长笛奏鸣曲》的演奏版本进行对比分析,探究对音乐作品风格的把控,总结优秀演奏家的经验与技巧,以提高自己的演奏水平。【结论】《D 大调长笛奏鸣曲》的旋律不仅仅是一堆线条,它还遵循和声和对位的规则。该作品虽然是普罗科菲耶夫的晚期成果,但却包含了他风格的所有特征,即一种融合了经典和现代的情感表达,具有更引人注目的节奏和更紧张的情感。

[Background] Sergei Sergeyevich Prokofiev created a large number of musical works throughout his life. His musical career can be divided into three periods: the Russian period, the foreign period, and the Soviet period, each with a different style of work. [Purpose] This article takes Prokofiev's only sonata for the flute, “D Major Flute Sonata”, as the research object, aiming to analyze the fragments of the work from the aspects of melody, musical form, and performance precautions. [Method] The first part analyzes the creative background of “Flute Sonata in D Major” using music score as a case study; The second part analyzes the structure of the work “Flute Sonata in D Major” and provides examples to explore the playing details and techniques; The third part focuses on the creative background and personal artistic style of the collaborator, and explores the emotional expression that runs through the entire D major Flute Sonata. [Results] Through comparative analysis of the performance versions of “Flute Sonata in D Major”, this study explores the control of music style, summarizes the experience and skills of excellent performers, and improves their performance level. [Conclusion] The melody of the Flute Sonata in D major is not just a bunch of lines, but also follows the rules of harmony and counterpoint. Although this work is a late achievement of Prokofiev, it encompasses all the characteristics of his style, namely a fusion of classical and modern emotional expression, with a more striking rhythm and more intense emotions.

序言

1. 作曲家与创作背景

2. 普罗科菲耶夫的音乐情感

3. 四个乐章的曲式分析

4. 合伴奏的要领

结论

参考文献

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