The two stages of Jinghao's “Truth” -- “Taking truthfrom things”(度物取真) and “Searching wonderful and creating Truth”(搜妙创真)

The two stages of Jinghao's “Truth” -- “Taking truthfrom things”(度物取真) and “Searching wonderful and creating Truth”(搜妙创真)

【背景】荆浩是唐末五代时期中原地区著名的理论家和绘画家，他在《笔法记》中提出了“真”，同时他的艺术作品中也处处印证着对“真”的实践。那么荆浩所提出的“真”到底是什么呢？【目的】本文主要从形而上的层面分析荆浩的“真”，因为荆浩的“真”是建立在生命映照、心源体味与天地观念范畴之中的，是形而下与形而上的结合，只有彻底剖析清楚“真”的形而上形成路径，才能更好体味荆浩之“真”不仅需要形而下之器，也需要形而上之道，器与道相合才能创造出真景山水，最后达到荆浩艺术的理想之境“真”。【方法】因此本文主要着眼于《笔法记》文本，通过文献研究等方法来论述荆浩《笔法记》中“度物取真”、“搜妙创真”两个大的层面去论述荆浩的“真”。【结果】试图分析清楚“真”在荆浩艺术世界中，形而上的层面是如何构造。【结论】通过对于形而上“真”的研究，为后期形而下之器打下坚实的基础。

[Background] Jing Hao was a famous theorist and painter in the Central Plains during the late Tang and Five Dynasties. He put forward “truth” in “Bi Fa Ji”, and his art works also proved the practice of “truth” everywhere. So what is the “truth” proposed by Jing Hao? [Objective]This paper mainly analyzes Jinghao's “truth” from the metaphysical level, because Jinghao's “truth” is established in the scope of life reflection, heart source experience and heaven and earth concept, which is a combination of physical and metaphysical. Only by thoroughly analyzing the metaphysical formation path of “truth” can we better understand that Jinghao's “truth” not only needs physical tools, but also needs metaphysical ways. Only by combining the instrument and Tao can we create the true scenery, mountains and rivers, and finally reach the ideal “truth” of Jinghao's art.[Method] Therefore, this paper mainly focuses on the text of “Bi Fa Ji” and discusses Jing Hao's “truth” from the two aspects of “taking truth from things” and “searching for beauty and creating truth” through literature research and other methods.[Results] trying to analyze how the metaphysical level of “truth” is constructed in Jing Hao's art world. [Conclusion]Through the study of the metaphysical “truth”, it lays a solid foundation for the later forms.