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Journal of musicological studies 제1권 제1호.jpg
학술저널

韩中音乐创作中核心素材的发展手法之比较

以朴俊泳《三重奏》和郝宇锴《明 & 暗》为例

本文以韩中第15 届“东方纪元”现代音乐交流季中的两部作品——韩国朴俊泳的《三重奏》和中国郝宇锴的《明&暗》为研究对象,通过其中作曲技法的比较,分析探讨了韩中现代作曲家在音乐语言、创作风格,尤其在核心素材的发展手法等方面的异同,从一个角度展现了两国作曲家文化上的同源特点和艺术创作上的思想特点。

This paper takes two works in the 15th “Oriental Era” Modern Music Exchange Season between Korea and China, Trio by Park Jun-young of South Korea and Light & Dark by Hao Yukai of China, as research objects. It analyzes and discusses the similarities and differences between Korean and Chinese modern composers in terms of musical language and creative style,especially the developing skills of core materials, through the comparison of composing techniques, and shows the cultural and ideological characteristics of composers of the two countries from one perspective.

Ⅰ.引言

Ⅱ.作品分析

Ⅲ.作品特点

Ⅳ.结语

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