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Journal of musicological studies 제1권 제1호.jpg
학술저널

The Application of Arch Structural Thinking in Walter Piston’s Three Pieces for Flute, Clarinet, and Bassoon

拱形结构广泛存在于自然界与人类社会,是一种经典力学结构。在20 世纪音乐当中,相当多作曲家使用该结构进行创作,以此获得某种音乐的控制。辟斯顿一生的创作丰富,相当多的作品运用了拱形结构思维,并将其作为结构整体与结构力重要部分共同看待。

Arch-like structures are common in both the natural world and human society, representing a classical mechanical framework. Many twentieth-century composers utilized this structure to compose music, aiming to achieve a certain level of control over the music. Walter Piston, a prolific composer, used arch structural thinking in many works, taking it as an integral part of both the overall structure and structural force.

Ⅰ. Introduction

Ⅱ. Arch-like structural thinking in music

Ⅲ. The Arch-like Structural Thinking in the Trio for Flute, Clarinet, and Bassoon

Ⅳ. Conclusion

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