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Journal of musicological studies 제1권 제1호.jpg
학술저널

中西合璧 雅俗共赏

论王建民《幻想曲》人工调式应用技法

现代筝曲创作中,运用人工调式技法进行创作是重要途径之一。王建民本人在《人工调式初探》一文中提到民族性的旋律、拓展性的调性、多彩性的和声是其设计人工调式的重要原则。本文选取王建民《幻想曲》为研究对象,以王建民《人工调式初探》一文为理论支撑,运用文献研究法、和声分析法、调式调性分析法等研究方法,旨在个性化的旋律音组、多彩性的和声组合、非传统的调性组合三个层面,来分析人工调式应用技法和传统古筝曲结合所产生的崭新音响色彩,印证王建民在其《人工调式初探》一文中所提到的观点,从而概括王建民中西融合、雅俗共赏的创作理念,以期为当代筝曲的创作上提供一些参考和借鉴,同时为演奏者更准确地把握乐曲的艺术风格给予借鉴和帮助。

The technique of artificial modes is one of the important ways. Wang Jianmin himself mentioned that the national melody, the expanding tonality and the colorful harmony are the important principles of his design of artificial modes. This paper selects Wang Jianmin’s Fantasia as the research object, takes Wang Jianmin’s Preliminary Exploration of Artificial Modes as the theoretical support, and uses the methods of literature research, harmony analysis, mode tonality analysis and so on, aiming at three aspects: personalized melody group, colorful harmony combination and non-traditional tonality combination, This paper analyzes the peculiar tone produced by the combination of the application techniques of artificial modes and traditional Guzheng music in this work, confirms the point of view mentioned by Wang Jianmin in his article Preliminary Exploration of Artificial Modes, and summarizes Wang Jianmin’s creative idea of integration of Chinese and western styles, and appreciation of both refined and popular tastes, so as to provide some reference for the creation of contemporary Guzheng music. At the same time, it can provide reference and help for performers to grasp the artistic style of the music more accurately.

Ⅰ.引言

Ⅱ.关于人工调式

Ⅲ.个性化的旋律音组

Ⅳ.多彩性的和声组合

Ⅴ.非传统的调性结合

Ⅵ.结语

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