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학술저널

元末四代家의 影響을 받은 許鍊繪畵

Heoryeon four paintings under the influence of the late Yuan Dynasty

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Species Composition and nopyeotgo a magnificent flower bed of Hunan and one itge Mac namjonghwa of the late Joseon Dynasty Honam is discharged namjonghwa the tea is a painter Sochi heoryeon (1808-1893). 18th Century subjective unique painting style of the 19th century, we increasingly Chusa Kim Jung Hee (1786-1856) with a focus on the wave went manservant turned into literati painting style. At the time of the Honam beds were daily life, poetry, writing, painting, tea the gentry writers are noticeably alters. City, articles, heoryeon has already been known to us as samjeol of the picture. Heoryeon was only doejin tea euroman lighting. With tea is called composite art. Tea Culture of the Joseon may have myeongmaek came by the gentry and literati led the monks. Honam damaek went leads to the center of adult seconds Uisun (1786-1866) and earthquake in 18 years in exile, which has been prolific Jeong (from 1786 to 1836) of Korea. Heoryeon is in retreat with iljiam the second year was the author of the 1835 “dongdasong” picture was naturally also of course to learn about the tea ceremony. Then ceremony of heoryeon gwando was formed. After the hwamaek and damaek of Honam as a bridge from the Uijae Heobaekryeon (1891-1977) of chunseolheon. As you can see, it is not hwamaek of the US heoryeon mountain ashes of the bangson, Nong Nam, Im in, Im ago, followed by Hur Jin. Heoryeon practically hear the background of Species Composition of Hunan flat beds, etc. can learn about the characteristics and nature of his actions when work painting activities. Timing of activities that are directly related to modern shipbuilding as the end this is bound to even greater influence by artists since the painters of modern times than the previous period. At that time, his time was practiced in earnest namjonghwa meet the total number of Chusa Kim Jung Hee Yu Garden. This style is fashionable at the time namjonghwa sides accepted the new style of the Qing Dynasty was namjonghwa River by Kim Jung Hee. Namjonghwa at the end of the Joseon affected by the Qing Dynasty namjonghwa powder concentrate is increased to four veneration of the trend. Kim Jung Hee namjonghwa of a vertex is the end of the Joseon were also present to receive hwaui powder concentrate of the four took their painting style into the womb of creation. Heoryeon under the teachings of Kim Jung Hee praised him can be called representative. Heohyeon is yes hwangbeop 'which is widely accepted that as a basis to develop their powder concentrate form of landscape paintings that represent the four Huang Gongwang (1269-1354) and admiration (1301 to 1374) who was a painter sasuk a lifetime. This paper will present how to convey painting style of painting in one of the four that won the powder concentrate have been affected mainly dahwa heoryeon should also examine the development gave been affected.

Ⅰ. 들어가는 말

Ⅱ. 許鍊繪畵에 영향을 준 元末四代家

Ⅲ. 元末四代家의 繪畵와 茶畵

Ⅳ. 나오는 말

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