![Journal of Global Arts Studies (JGAS) Special Issue.jpg](http:///contents.kyobobook.co.kr/sra/upload/book_img/105/1058544.jpg)
학술저널
Overturn
Overturn
DOI : 10.23112/adw24063024
In this series, I use mannequins and dots to express the images, with the aim of expressing the lack of people's spiritual world and their lack of understanding of each other in a highly materialistic society. I used Yayoi Kusama's classic color scheme to express these dots, which represent molecules, cells and the origin of life. The medium chosen to carry the dots is the prosthesis. The combination of these elements with the dots more prominently expresses the conflict, weirdness and grotesqueness between man and matter, man and society, matter and spirit.
在这个系列中,我使用人体模型和圆点来表达画面,目的是在物质高度发达的社会中表达人们精神世界的缺失和相互之间的不理解。我采用草间弥生经典的色彩方案来表达这些圆点,这些圆点代表了分子、细胞和生命的起源。承载圆点的媒介选择了假肢。这些元素与圆点的结合更加突出地表达了人与物质、人与社会、物质与精神之间的冲突、怪异和怪诞。