伊戈尔-斯特拉文斯基《LES NOCES》第一乐章《LA TRESSE》选段的作曲技术分析

Compositional Technique Analysis of Selected Pieces from La Tresse in the first Movement of Igor Stravinsky’s Les Noces

From the beginning of the 20th century, traditional Western music entered a phase of breaking established norms, focusing on musical similarities based on objective time and musical contrasts based on psychological time. This approach encompasses the fundamental philosophical concepts of unity and contrast. This article conducts a detailed analysis of Igor Stravinsky’s “Les Noces” (The Wedding), gradually unfolding the compositional techniques used, and restoring the musical language and structural methods of the work.

从二十世纪之初开始，西方音乐进入了一个突破原有规则，在以客观时间为主强调音乐相似性与以心理时间为主强调音乐对比性，且涵盖了统一与对比这两种基本哲学概念的创作原则中探寻着音乐生命的新篇章。本文对斯特拉文斯基的作品《LES NOCES》（婚礼）进行逐步的作曲技术解析，将还原作品的音乐语言以及构成方法进行分析。