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학술저널

琴歌《阳关三叠》的文本内涵与审美意蕴

The Textual Connotation and Aesthetic Implication of the Qin Song Yangguan Sandie

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Journal of musicological studies 제1권 제2호.jpg

Since ancient times, the guqin has been the traditional stringed instrument of the Han Chinese nation.Researchers’ research on testable materials and excavated artifacts shows that the ancient piano has a history of more than 3,000 years.Guqin has become a favorite musical instrument of literati and scholars of all ages, which contains philosophy, which can make people achieve self-cultivation and cultivate emotions.Since ancient times, Guqin has been the traditional stringed instrument of Han Chinese people. Yangguan Sandie has become a famous ancient poem and art song through the poetry adaptation of Wang Wei’s “Send Yuan Er to Anxi”. This paper mainly expounds the background, literary connotation of Yangguan Sandie and the aesthetic meaning of Yangguan Sandie through reference to the literature and interpretation of the singing video of Yangguan Sandie.The poet Wang Wei pursued the Buddhist Zen realm all his life, which also had some influence on this work.

古琴自古以来就是中华民族的传统拨弦乐器。据研究人员对于可考资料和出土文物的研究显示,古琴距今已有3000 余年的历史。古琴之所以成为历代文人雅士都喜爱的一种乐器,其蕴含哲理性,可使人达到修身养性,陶冶情操的作用,抚琴也成为中国十大雅事之一。《阳关三叠》通过唐代诗人王维《送元二使安西》诗词改编,成为著名的古诗词艺术歌曲。本文通过对文献资料的查阅以及对琴歌《阳关三叠》演唱视频的解读,主要阐述了琴歌及其艺术特征、琴歌《阳关三叠》的创作背景、琴歌《阳关三叠》的文本内涵以及琴歌《阳关三叠》的审美意蕴。诗人王维一生追求佛教禅宗境界,这对这首作品也有一定的影响。

Ⅰ.琴歌的概念与历史沿革

Ⅱ.琴歌的艺术特征

Ⅲ.琴歌《阳关三叠》的文本内涵

Ⅳ.琴歌《阳关三叠》的审美意蕴

Ⅴ.结语

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