卢梭的音乐美学思想与“喜歌剧之争”

Rousseau’s Musical Aesthetics and the “Querelle des Bouffons”

Rousseau, as a thinker of the Enlightenment and a representative of the 18th-century French “Comedy and Opera Controversy”, made great contributions in the field of music aesthetics. His exploration and promotion of music aesthetics, as well as “music imitates nature”, “music emotion theory” and other points of view, is not only an extension of his philosophical and literary achievements, but also played an important role in the development of music and art at that time, and laid a solid foundation for the formation of Romantic aesthetics. It also laid a solid foundation for the formation of Romantic aesthetics. In this paper, we will explain Rousseau’s music aesthetics from four aspects, namely, the background of the era, the ideological viewpoints, the comedy theatre controversy, and the significance of the impact of Rousseau’s music aesthetics.

卢梭作为启蒙运动的思想家、18 世纪法国“喜歌剧之争”的代表人物，在音乐美学领域做出了巨大的贡献。他在音乐美学思想的探索与提倡，以及“音乐模仿自然”“音乐情感论”等观点，不仅是他哲学和文学成就的延伸，更对当时音乐艺术发展起到了重要的作用，并为后来浪漫主义美学的形成打下了坚实基础。本文将从时代背景、思想观点、喜歌剧之争以及意义影响四个方面阐述卢梭的音乐美学思想。