论舞蹈作品《老雁》中的限制与突破—以张继钢编导提出的“限制”概念为视角

On the Restriction and Breakthrough in the Dancing Work “Elderly Geese” : From the Perspective of the Concept of “Restriction” by Director Zhang Jigang

Looking at the current situation, the development of dance keeps pace with the times and pays attention to the public’s increasingly improved aesthetics, so choreographers are constantly exploring and innovating, breaking through themselves, and trying different ways of creation. The “restriction” technique reflects a new breakthrough in thinking. It challenges the creators through some restrictions in the creation process, so as to focus on details and highlight the emotions that the creators place on the work. It means that liberation can also be found in restrictions. This technique is of great learning and research value. Therefore, this study takes the theoretical concepts in the book “Restrictions are the Whetstone of Genius” as a perspective to analyze the use of the “restriction” technique in the work “Elderly Goose”, explore the value of “restrictions” in dance creation, and explain that dance creation under restrictions can better inspire breakthroughs, break free from solidified thinking, and innovate the inspiration of thinking patterns.

纵观当下，舞蹈的发展紧随着时代的步伐，也关注着大众日益提高的审美，所以编创者们不断地开拓创新，突破自我，尝试不同的创作方式。“限制”手法正是体现出一种思维的新突破，通过编创过程中的一些限定给创作者带来挑战，以此聚焦细节，突出表现创作者寄托在作品上的情感。它意味着在限定中也能找到解放，此手法极具学习与研究价值。因此，本研究以《限制是天才的磨刀石》一书中的理论概念为视角，分析作品《老雁》中的“限制”手法的运用，探究“限制”在舞蹈创作中的价值，阐发设限下的舞蹈创作更能激发突破，挣脱固化思维，创新思维模式的启示。