A Study of Chinese Figure Painting Images in a Multimodal Perspective : Take the Exampleof“The Lady of History”

多模态视域下中国人物画图像研究——以《女史箴图》为例

[Background]At present, with the development of society, a single language system can no longer satisfy the diversified ideographic system, and the research on multimodal grammar has formed a hot spot in many fields, but there are only a few studies in the direction of Chinese painting. [Objective]On the basis of previous research results, the article tries to construct a research framework of multimodal visual grammar applicable to Chinese figure paintings, taking Gu Kaizhi's “Female Historian's Picture” as an example to explore the rationality and scientificity of the article's framework. [Methods]Using literature research method, case study analysis method, integrating previous research results, and starting from a specific case to try to establish a research method of Chinese figure painting under the multimodal perspective. [Results]It can be found through the research of the above steps that by analyzing the multimodal visual grammar of Chinese paintings, more profound conclusions can be drawn from the research of the picture. [Conclusion]Taking the Female Historian as an example, which is suitable for multimodal grammatical analysis, we can try to establish a framework for multimodal analysis of Chinese paintings afterward, so that we can start from a specific case and establish a perfect grammatical structure for multimodal analysis of Chinese paintings in the basic research.

【背景】目前，随着社会的发展，单一的语言系统已经无法满足多元的表意系统，多模态语法研究已经在多个领域中形成热点，但在中国画方向的研究寥寥可数。【目的】文章在前人的研究成果基础上，尝试构建出一个适用于中国人物画的多模态视觉语法的研究框架，以顾恺之《女史箴图》为例，探寻文章框架的合理性、科学性。【方法】利用文献研究法、个案分析法，整合前人研究成果，以具体个案出发尝试建立多模态视域下的中国人物画研究方法。【结果】通过以上各个步骤的研究可发现通过对中国画作品进行多模态视觉语法分析，可得出更为深刻的画面研究结论。【结论】以《女史箴图》为例，其适用于多模态语法分析，在之后可尝试建立中国绘画作品的多模态分析框架，从具体案例出发，在基础性研究中建立完善的中国画多模态分析语法结构。