Modern Interpretation of Dance Image Body Under Schusterman's Body Aesthetics

舒斯特曼身体美学下舞蹈影像身体的现代演绎

[Background]As a form of expression, “body” is the first and most direct medium of human beings. American pragmatism Schusterman attaches great importance to exploring the “body” of human beings, and put forward the theory of body aesthetics, emphasizing the importance of the body in human society. In the scene of diversified media symbiosis in modern society, the continuous innovation of technology makes the body as a medium extended in many aspects. Dance, as a kind of art of body movement, is the most intuitive expression of the “body” as the medium without using the “second tool”. [Objective]Under the theory of Schstmann body aesthetics, this paper explores the “amplification” and modern interpretation of the traditional dance body under the rendering of the image world. [Methods]The author discusses the collision of dance image between dance body and technical means through the qualitative analysis method. [Results]Through the analysis of the body presentation in dance image works, the connection with schstmann body aesthetics. [Conclusion] Driven by the modern visual mechanism, the body, which carries physiological and natural attributes and carries social significance, shows a highly aestheticized trend.

【背景】“身体”作为一种表达形式，是人类最初、最直接的媒介。美国实用主义美学家舒斯特曼十分注重对人类本初的“身体”进行探究，并提出身体美学理论，强调了身体在人类社会中的重要性。在现代社会媒介多元共生的景象下，技术的不断革新使得身体作为媒介得到了多面向的延伸。舞蹈作为一种身体运动的艺术，是无需借助“第二工具”，以“身体”作为媒介来表达内在精神最直观地体现。【目的】本文在舒斯特曼身体美学理论下，探究传统的舞蹈身体在影像世界渲染下的“放大”以及现代式演绎。【方法】笔者通过定性分析的方法，探讨舞蹈影像中舞蹈身体与技术手段产生的碰撞。【结果】通过对舞蹈影像作品中的身体呈现进行剖析，找到其中与舒斯特曼身体美学的联结。【结论】在现代视觉机制的驱动下，承载生理自然属性而又披载社会意义的身体愈益呈现出高度审美化趋势。