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학술저널

Paving a Path to Essentialize an “Imagined” Community: Inquiring the Contemporary Music Culture in the Digital Age through Virtual Ethnography

DOI : 10.3726/JAM331_115

This paper regards internet users who “convene” in moderated groups according to a common interest, social attachment, or other multiple intersected connections as an “imagined” community that surfaces on a social networking platform. The validity of the community, especially when being of an ethnographer’s interest, is argued through a documentation of responses captured and operated as ethnographic data. This is a preliminary study of music culture in the digital age through online survey as virtual ethnography to explore a glimpse of the reality via reactions of an “imagined” community. Through a systematic and critical presentation of the ethnographic data, music culture in the contemporary time is interpreted as a trajectory which significantly essentializes an “imagined community” as genuine as a physical field site in the light of cultural musicology.

Introduction

The Design of a Virtual Ethnography: Its Problems and Solutions

Responses to 10 Questions on How “an Imagined Community” Experienced Live Musical Production

Music Culture in New Digitalization: The Known Versus the Unknown

Conclusion

References

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