山东民歌《茉莉花》之版本比较研究

A Comparative Study of Versions of Shandong Folk Song “Jasmine Flower”

Folk songs are an integral part of traditional Chinese music. They are not only the crystallization of the wisdom of the working people, but also the witnesses of social and historical changes.The folk song “Jasmine Flower” has been widely sung in both the north and south of China, with various variations.It gradually evolved from a local folk song to a national folk song genre, and finally presented in different versions of “Jasmine Flower”. In the process of the evolution and dissemination of folk songs, the study of same ethnic folk songs has also been extended, thus becoming one of the long-standing concerns in the field of musicology.Researchers often trace the origins of variations, conduct a series of comparative studies, sort out the source and flow of folk songs, as well as the differences and similarities between versions, and explore their musical cultural connotations.This article first sorts out the origin of the folk song “Jasmine Flower” and three sources. Secondly, using the method of music ontology analysis, this paper explores the musical form characteristics of the three “Jasmine Flower” folk songs in Shandong region. Finally, a comparative analysis will be conducted on these three folk songs to explore their differences and similarities.

民歌是中国传统音乐的组成部分，它既是劳动人民智慧的结晶，又是社会历史变迁的见证者。民歌《茉莉花》在我国的传唱风靡南北，具有多种变体。它由最初的地方性民歌逐渐变为全国性的民歌歌种，最后以不同版本的《茉莉花》形式呈现出来。在民歌流变与传播的过程中，也引申出了同宗民歌的研究，从而成为音乐学界长期关注的问题之一。研究者往往会对变体追根溯源，进行一系列的比较研究，梳理出民歌的源与流以及版本之间的异与同等，探寻其音乐文化内涵。本文首先对民歌《茉莉花》的来源以及三种来源说进行梳理。其次，采用音乐本体分析的方法探讨山东地区的三首《茉莉花》民歌的音乐形态特征。最后，对这三首民歌进行比较分析，探究其中的异与同。