琴曲《酒狂》的演奏比较与古琴文化内涵研究

A Comparison of the Performance of the Musical “Drunkard” and an Analysis of the Cultural Connotation of Guqin

This song was written by Ruan Ji, a great scholar in Wei and Jin dynasties. He expressed his dissatisfaction with the authorities through the use of alcohol. The current guqin teaching of “Drunkard” is arranged and adapted from Yao Bingyan’s playing version. It is also a rare piece of music that uses triple time rhythm to interpret the guqin music, which shows the dynamic characters to reach the realm of both form and spirit. Nowadays, the version of “Drunkard” is widely spread, first of all, Yao Bingyan’s version, followed by Cheng Gongliang, Gong - and so on. In addition, the reason why “Drunkard” is fascinating is inseparable from playing the guqin instrument. In modern times, there are many tracks based on “Drunkard” adapted for other instruments, such as the harp version of “Drunkard”, but the musical “Drunkard” still has its artistic charm that cannot be replicated. Therefore, the different versions of the specific playing methods of analysis, at the same time to the guqin this instrument brief and analysis, in order to better understand the mood of “Drunkard”.

此曲为魏晋时期的大文人阮籍所作。他借酒佯狂，表示对当权者的不满之情。现行《酒狂》的古琴教学所用版本就是在姚丙炎演奏版本上整理改编而来。此曲也是古琴曲中少见的一首采用三拍子节奏进行打谱的乐曲，其中所表现出的人物醉酒之态达到了形神兼备的境界。现今《酒狂》的演奏流传较广的版本首先是姚丙炎版本，其次还有成公亮、龚一等不同琴家的版本。因此对不同演奏版本进行具体弹奏手法的分析，同时对古琴这一乐器进行简述与分析，以便能更好的理解古琴曲《酒狂》的文化含义和意境。